This is just. The best thing. The Ideal Bookshelf project features portraits of book spines. Painter Jane Mount and writer Thessaly La Force have published a book with interviews and bookshelf paintings from 100 writers, actors, chefs, musicians, designers, artists, and directors. My favorite thing to do when I first meet someone is browse through their books– I love peeking at new bookshelves packed with books I recognize, love, can’t wait to read, have never heard of– and the Ideal Bookshelf is like a really great Suggested Reading list. Above is David Sedaris’s ideal shelf.
It’s funny. Sometimes I have a hard time seeing myself or understanding how others see me. I’ve always used books as a way to help me recognize myself a little more. I read and my identity feels less shifting, I feel tethered to my own experience in a new way. Which seems paradoxical– I need something outside of myself to keep me attached to what’s inside of me– but there is something about the bond between writer and reader, something about the recognition of the same thing across time and space that makes me feel less lonely, more at home. Some books, some stories, some words just stick, become a part of me, make me find myself in a whole new way. Yay. I love that books have the power to do that. Here is what my ideal bookshelf might look like (for now– it’s always kind of changing, huh?). These are some of the books I keep coming back to, that I think of long after I’ve put them down, that I can see echos of in my own life.
My Ideal Bookshelf
- The Known World, Edward P. Jones
- It, Stephen King
- The Journalist and the Murderer, Janet Malcolm
- The Color Purple, Alice Walker
- Consider the Lobster, David Foster Wallace
- Demonology, Rick Moody
- After Henry, Joan Didion
- Harry Potter and the Goblet of Fire, J.K. Rowling
- What I Loved, Siri Hustvedt
- The Secret History, Donna Tartt
- The Age of Innocence, Edith Wharton